Registration number
Af1898,0630.3
Institution
British Museum
Edo designations
English designations
Flywhisk
Categories
Ceremonial Regalia
Ceremonial Objects
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk
Flywhisk

Provenance

6 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member of the Enisẹn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Ernest Percy Stuart Roupell from Benin Kingdom.
Purchase
June 30, 1898
The object was purchased by the British Museum from Ernest Percy Stuart Roupell with its destination in London.
Exhibition
1970 to 1973
The object was exhibited at London.
Exhibition
sometime in 1993 to sometime in 1997
The object was exhibited at London.
Exhibition
May 2007 to September 2008
The object was exhibited at Vienna, later moved to Berlin.

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1898,0630.3
PRN
object id
EAF14550
Object Type
designation
fly-whisk ~regalia
Description
description
Fly-whisk, regalia (ugbudien ugie); made from coral and agate beads. Whisk has long strings of coral beads with four beaded flaps at top; handle composed of four large agate beads with cluster of coral beads at top.
Ethnic name (made by)
ethnic attribution
Edo
Date
18thC-19thC (circa)
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
coral ~agate
Dimensions
dimensions
Height: 103.00 cm~Width: 24.00 cm (max)~Depth: 4.70 cm~Weight: 2.50 kg
Curator’s comments
provenance
Plankensteiner 2007: ‘A child surpasses beads’. This Edo adage compares offspring to costly red coral (ivie ebo’ or ‘European beads’) and stone beads (‘ivie egbo’ or ‘forest beads’). The latter, brownish-red agate or jasper (both varieties of chalcedony), are older imports from the north. The Portuguese introduced red Mediterranean coral in the last 15th century; its colour fit pre-existing tastes and symbolism – red is power, blood and danger. In Benin, both types are collectively referred to as ‘ivie’ and called ‘coral’ by English-speakers. The monarch’s identity is linked to coral. After the 1897 invasion, Oba Ovonramwen faced the British in a white wrapper ‘covered with masses of strings of coral, interspersed with larger pieces […] His head dress […] was composed wholly of coral of excellent quality, meshed closely together, and must have weighed very heavily on his head, for it was constantly being temporarily removed by an attendant. His wrists up to his elbows were closely covered with coral bangles, so were his ankles’ (Roth 1968:xiii). These...belongings are very similar to today’s royal dress. ...Beaded regalia...would have been assembled and maintained by the Enisen, members of the palace Iwebo society. These official dressers assist the Oba, his mother and the more important chiefs. ...Beaded accessories accentuate wealth. Horse-tail whisks are popular prestige objects throughout Africa, raised and shaken in approbation, appreciation and acknowledgement. This unusual example replaces hair with coral strands; its 2.5 kilogram weight (Fagg 1978:28) speaks to the importance of status over comfort. Oba Ovonramwen owned at least one other example (Pitt Rivers 1977: pl26). Coral beads have a mystical, medicinal aspect and are protective. In Renaissance Europe, coral averted the evil eye, a belief probably communicated to Africa. Its defensive use in Benin is supported by an annual ‘charging’ at the Ugie Ivie ceremony, held at Oba Ewuare’s shrine. The Oba’s and his chiefs’ coral are touched with sacrificial animal heads to purify and reinvigorate it; in centuries past, a slave was killed for this purpose.; Read & Dalton 1899: Fly whisk of the King of Benin, formed of strings of coral beads with a handle of four large beads of red jasper. The coral beads are no doubt of European make, as well as the jasper ones. These last are similar in shape to the long carnelian beads which were exported from Europe for use in the slave trade.; Note from EPS Roupell (3 June 1898): "Coral. Fly whisk carried before the king by female naked youth - the ordinary fly whihsk is made from a horses tail this is evidently made from that idea. "
Bibliographic references
bibliography
Barley 2010: p.85~Plankensteiner 2007: 152~Read & Dalton 1899: pl VIII.1
Exhibition history
exhibition history
Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa 1993-1997, London, Museum of Mankind, Great Benin: a West African Kingdom 2007 May-Sept, Vienna, Museum für Völkerkunde, Benin. Kings and Rituals: Court Arts from Nigeria 2007-2008 Oct-Jan, Paris, Musée du quai Branly, Benin. Kings and Rituals: Court Arts from Nigeria 2008 Feb-May, Berlin, Staatliche Museen zu Berlin, Ethnologisches Museum, Benin. Kings and Rituals: Court Arts from Nigeria 2008 Jun-Sept, Chicago, The Art Institute of Chicago, Benin. Kings and Rituals: Court Arts from Nigeria 2024-2025, 17 Oct–9 Feb, London, BM, G35, 'Hew Locke: what have we here?'
Condition
condition
Good.
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
Captain Ernest Percy Stuart Roupell
Acquisition name (excavator)
provenance
Field Collection by: Captain Ernest Percy Stuart Roupell
Acquisition date
accession date
30 June 1898
Acquisition notes (excavation)
provenance
This fly-whisk was looted from Benin City in 1897 by Captain Ernest Roupell.
Sensitive Content

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