Registration number
Af1954,23.788
Institution
British Museum
English designations
Pendant Plaque
Categories
Ceremonial Regalia
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Pendant Plaque
Pendant Plaque

Iconographies

2 annotations
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu
Pot
Akhẹ
Clay pot

Akhẹ (clay pots) are made by the Imakhe (guild of potters). Pots were used for a variety of purposes, including everyday storage of water in simple, undecorated or minimally decorated vessels, while others served ritual purposes. Akhẹ Osun, for example, are often highly decorated with animal motifs such as lizards, frogs, and snakes, all of which are associated with the deity Osun. Rounded Akhẹ with open tops are depicted on both the Ama-Ẹrọnmwọn (bronze relief plaques) and pendant plaques. They are usually shown being carried either on the heads of figures or propped on their left shoulders.

1 annotation
Akhẹ

Provenance

4 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced in Edo State.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to 1936
The object is known to have come into contact with the Wellcome Collection, Henry Solomon Wellcome and London Wellcome Institute for the History of Medicine, later in London.
Donation
1954
The object was donated by London Wellcome Institute for the History of Medicine to the Wellcome Collection and the British Museum in London.

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1954,23.788
Additional IDs
object id
N/N (Wellcome Collection number)
PRN
object id
EAF21742
Object Type
designation
waist-pendant
Description
description
Waist-pendant; lost-wax cast in brass. Single large suspension loop at back. Series of suspension loops around outer edge. Depicts single female figure in high relief wearing pinted headdress, armlets and anklets and beaded collar. Figure holds circular ?vessel at left proper shoulder.
Ethnic name (made by)
ethnic attribution
Edo
Date
16thC - 19thC
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
brass
Technique
production technique
lost-wax cast
Dimensions
dimensions
Height: 12.50 cm~Width: 11.60 cm~Depth: 5.00 cm~Weight: 242.00 g
Curator’s comments
provenance
The term ‘Lower Niger Bronze Industry’ was created and first used by William Buller Fagg (1957, 1963, 1970) to identify a miscellaneous group of lost-wax cast objects which were stylistically and/or iconographically distinct from Igbo-Ukwu, Ife and Benin City pieces. The objects are associated with various locations in southern Nigeria, south of the confluence of Benue and Niger Rivers and between the borders with the Republic of Benin and Cameroon. They are thought to have been made prior to European contact, circa pre-1500 A.D. Sometimes referred to as the ‘Lower Niger Bronze Industries’ or ‘Lower Niger Bronzes’. Fagg, William B. (1957) ‘Introduction’. In Plass, Margaret. Lost wax; metal casting on the Guinea Coast. London: London Institute of Contemporary Arts. Fagg, William. (1963). Nigerian images: The splendor of African sculpture. New York ; London: Praeger. Fagg, William. (1970) Divine Kingship in Africa. London: Published for the Trustees of the British Museum by British Museum Publications. ; Register 1954: Brass scutiform pendant with a figure of a woman holding a pot on her shoulder, in high relief, the head is modelled in the round, there is a large ring at the back of the head of the figure, seven small rings are attached to the lower edge of the pendant, others have been broken off. Cf. 1934.10-25.1. BENIN.
Condition
condition
Good; some suspension rings around edge of pendant are missing, damaged or bent.
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
Wellcome Institute for the History of Medicine
Acquisition date
accession date
1954.0
Sensitive Content

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