id
117894
Edo designations
English designations
Bird of Prophecy Staff
Categories
Musical Instruments
Ceremonial Objects
Staffs
Location
11150 East Blvd, Cleveland, OH 44106, United States
Loading...

Provenance

4 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Purchase
1930 (approximate) to 1935
The object was purchased by Louis Carré and Charles Alfred Marius Ratton with its destination in Paris.
Purchase
January 17, 1938
The object was purchased by the Cleveland Museum of Art from Louis Carré through M. Knoedler & Co. from New York City to Cleveland.

Institution data

Cleveland Museum of Art
The data was downloaded via a public data access of the institution.
Last updated: 2021-02-13
Language: english
Institution fieldValue
accession_number
object id
1938.5
id
object id
117894
title
designation
Idiophone/Staff (ahianmwẹn-ọrọ)
digital_description
description
tombstone
description
Idiophone/Staff (ahianmwẹn-ọrọ), possibly 1800s. Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild. Copper alloy; overall: 36.2 x 9.9 cm (14 1/4 x 3 7/8 in.). The Cleveland Museum of Art, James Albert Ford Memorial Fund 1938.5
wall_description
description
Courtiers, priests, and senior chiefs strike instruments like this during the Ugie Ọrọ festival. The long-legged metal bird refers to the 16th-century ruler Ọba Ẹsigie. Wings outstretched with long, textured feathers, it is the <em>ahianmwẹn-ọrọ</em> (bird of prophecy). It stares outward, a likely magical substance clenched in its beak. Such a bird prophesied Ẹsigie’s defeat and death during the Idah War (about 1515–17), leading his people to resist fighting for him. When Ẹsigie triumphed, bronze bird effigies were beaten for days on end throughout the year. This punished the false avian prophet and shamed the cowardly men.
dimensions/diameter/width
dimensions
dimensions/overall/depth
dimensions
dimensions/overall/height
dimensions
0.362
dimensions/overall/width
dimensions
0.099
measurements
dimensions
Overall: 36.2 x 9.9 cm (14 1/4 x 3 7/8 in.)
type
object type
Sculpture
creation_date
date made
possibly 1800s
creation_date_earliest
date made
1800
creation_date_latest
date made
1899
technique
production technique
Copper alloy
creditline
prior source
James Albert Ford Memorial Fund
provenance/0/date
provenance
possibly 1800s
provenance/0/description
provenance
Commissioned from the Igun Eronmwon
provenance/1/date
provenance
c.1857-1897
provenance/1/description
provenance
By descent to Ọba Ovọnramwẹn (Ovọnramwẹn Nogbaisi, [c. 1857–1914; r. 1888–97], Royal Palace, Benin City
provenance/2/date
provenance
1897
provenance/2/description
provenance
Brought to Europe following the Siege of Benin
provenance/3/date
provenance
c. 1929-1932
provenance/3/description
provenance
(Fosters & Co., London or France, probably sold to Louis Carré and/or Charles Ratton)
provenance/4/date
provenance
by at least 1935
provenance/4/description
provenance
(Louis Carré, Paris, sold to the Cleveland Museum of Art, Cleveland, OH, January 17, 1938)
provenance/5/date
provenance
1938-
provenance/5/description
provenance
The Cleveland Museum of Art, Cleveland, OH
provenance/6/description
provenance
provenance/7/date
provenance
provenance/7/description
provenance
provenance/8/date
provenance
provenance/8/description
provenance
culture
ethnic attribution
Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild
collection
department and institution
African Art
current_location
department and institution
108A Sub-Saharan
department
department and institution
African Art
fun_fact
notes
exhibitions/current/0/description
exhibition history
exhibitions/current/0/id
exhibition history
exhibitions/current/0/opening_date
exhibition history
exhibitions/current/0/title
exhibition history
exhibitions/current/1/description
exhibition history
exhibitions/current/1/id
exhibition history
exhibitions/current/1/opening_date
exhibition history
exhibitions/current/1/title
exhibition history
exhibitions/legacy
exhibition history
Knoedlers, NY, Exhibition of Bronzes and Ivories from the Ancient Kingdom of Benin, November 25-December 4, 1935, cat. no. 28, fig. 28.<br>CMA 1937: Ivories and Bronzes from the Ancient Kingdom of Benin, cat. #28.<br>Seattle, WA, Seattle Art Museum, The Bird in Art, June 6-August 12, 1956.<br>Oberlin, OH, Allen Art Museum, Baldwin Lectures of Mr. Roy Sieber, March 5-March 31, 1972.
citations/0/citation
bibliography
Foote, Helen S. "Two Bronzes from Benin." <em>The Bulletin of the Cleveland Museum of Art</em> 25, no. 3 (1938): 48-50.
citations/0/page_number
bibliography
Mentioned: p. 50; illustrated p. 48
citations/0/url
bibliography
citations/1/citation
bibliography
Lane, James W. "Current Exhibitions." <em>Parnassus </em>Vol. 7, no. VII (December 1935): 26-31, 35.
citations/1/page_number
bibliography
Reproduced: p. 31.
citations/1/url
bibliography
citations/2/citation
bibliography
"Au Cleveland Museum of Art." <em>Mouseion. </em>(April 1938) 13-14.
citations/2/page_number
bibliography
Mentioned: p. 13
citations/2/url
bibliography
citations/3/citation
bibliography
Petridis, Constantine. "A World of Great Art for Everyone." In <em>Representing Africa in American Art Museums: A Century of Collecting and Display</em>. Kathleen Bickford Berzock and Christa Clarke, 104-121. Seattle: University of Washington Press, 2011.
citations/3/page_number
bibliography
Mentioned: p. 113, 119
citations/3/url
bibliography
citations/4/citation
bibliography
<em>Bronzes and Ivories from the Old Kingdom of Benin: Exhibition from November 25 to December 14, 1935 At the Galleries of M. Knoedler and Company 14 East 57 Street New York City. </em>New York: M. Knoedler and Company, [1935].
citations/4/page_number
bibliography
Mentioned: Fig. 28 (illustrated)
citations/4/url
bibliography
citations/5/citation
bibliography
citations/5/page_number
bibliography
citations/5/url
bibliography
citations/6/citation
bibliography
citations/6/page_number
bibliography
citations/6/url
bibliography
citations/7/citation
bibliography
citations/7/page_number
bibliography
share_license_status
license
CC0
images/full/filename
images
1938.5_full.tif
images/full/filesize
images
52916744
images/full/height
images
5000
images/full/url
images
https://openaccess-cdn.clevelandart.org/1938.5/1938.5_full.tif
images/full/width
images
3527
images/print/filename
images
1938.5_print.jpg
images/print/filesize
images
2845973
images/print/height
images
3400
images/print/url
images
https://openaccess-cdn.clevelandart.org/1938.5/1938.5_print.jpg
images/print/width
images
2398
images/web/filename
images
1938.5_web.jpg
images/web/filesize
images
196855
images/web/height
images
893
images/web/url
images
https://openaccess-cdn.clevelandart.org/1938.5/1938.5_web.jpg
images/web/width
images
630
url
weblink
https://clevelandart.org/art/1938.5
former_accession_numbers/0
former_accession_numbers/1
updated_at
2020-11-12 10:00:21.715000
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here