Registration number
Af1944,04.9
Institution
British Museum
Edo designations
English designations
Relief Plaque
Categories
Palace Architecture & Ornamentation
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Relief Plaque
Relief Plaque
Relief Plaque

Iconographies

4 annotations
Water fern
Ebe Amẹ
Water Fern

Ebe Amẹ refers to a wide variety of plants, particularly the leaves of the water fern or river leaf, found in riverine areas of southern Nigeria ( ). Artists from the Igun-Ẹrọnmwọn used these as a decorative motif in the background of most Ama-Ẹrọnmwọn (bronze relief plaques). The petals of the Ebe Amẹ, like the points of the ἀghàdàgháda (crossroads), represent the four cardinal directions: north, east, south, and west. The number four plays a foundational role in the Edo calendar, which is structured around four market days ( ).

1 annotation
Ebe Amẹ
hairstyles
Eto
hairstyles

Hairstyles are used to determine a person's status in the society, as chiefs, common folks, chief's wives and the wives of the Ọba all wear different hairstyles. We have Okuku, Ikpe~okhokho, Idu~akpata

1 annotation
Eto
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu

Provenance

6 events
Production
1504 (approximate) to 1550 (approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to January 11, 1899 (day approximate)
The object is known to have come into contact with William Downing Webster, later in Bicester.
Purchase
January 11, 1899 (day approximate)
The object was purchased by Tor Åke Johan Sjögren from William Downing Webster from Bicester to Stockholm.
Purchase
July 13, 1928
The object was purchased by Cranmore Ethnographical Museum, Irene Marguerite Beasley and Harry Geoffrey Beasley from Tor Åke Johan Sjögren from Stockholm to Chislehurst.
Donation
some day in April 1944
The object was donated by Irene Marguerite Beasley to the British Museum from Chislehurst to British Museum.

Related archival documents

2 documents
See all
An archival document representing a Correspondence of 2 page(s)
Correspondence
Statens museer för världskultur
Sjögren, Åke
Date
January 9, 1900
An archival document representing a Inventories of 404 page(s)
Inventory
Museum of New Zealand Te Papa Tongarewa
Stock books
Date
January 18, 1897 to March 26, 1900

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1944,04.9
Additional IDs
object id
6247 (William Webster number)~Y2/20 (Dark: Benin catalogue number)
PRN
object id
EAF98026
Object Type
designation
plaque
Description
description
Relief plaque, lost-wax cast in brass. Narrow plaque, rectangular in form without side flanges. Background surface decorated with river leaf patterns and stippling. Two nail holes at top right and left; five holes along left side; one hole at midway on right side; three holes at bottom left, right and centre. Depicts single standing figure, facing front. Figure has locks of hair with plaits at sides. Central circular mark on forehead. Wears beaded necklace, baldric across chest, coiled bracelets, anklets and patterned wrap-around skirt. Back of plaque has ?caster's mark in form of a crossbow at bottom left.
Ethnic name (made by)
ethnic attribution
Edo
Date
16thC-17thC (circa)
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
brass
Technique
production technique
lost-wax cast
Dimensions
dimensions
Height: 44.50 cm~Width: 19.50 cm~Depth: 4.20 cm~Weight: 3.30 kg
Inscription
inscriptions
Inscription:~ Inscription details: inscription (back of plaque: top right) in English~ Inscription quoted: 6247~ Inscription note: William Webster number
Curator’s comments
provenance
The relief brass plaques that used to decorate the Oba's (king's) palace are among the most well-known of all the royal arts of Benin. Although frequently described as 'Benin Bronzes' most plaques are made of leaded brass in various compositions. It is widely accepted that they date to the 16th-17th centuries. In the years prior to the British royal influence in Benin was increasingly under threat from rival powers, both internal and external, with a focus on economic power and control of the important trading monopolies. However, the court and palace remained the political and spiritual centre of the Benin Kingdom. Earlier accounts written by Europeans visiting the city describe its size and scale. The palace complex was set up around atrium courtyards; some had galleries with wooden pillars supporting the roof. Brass plaques, probably made in matching pairs, were fixed to these pillars. The Benin brass plaques represent a distinct and unique corpus of work, unparalleled elsewhere on the continent. They are cast using the cire perdue (lost wax) technique and show significant variation in the depth of the relief. Some of the plaques portray historical events or commemorate successful wars, while others are a vivid depiction of Benin court life and ritual. Several groups of plaques show clear stylistic similarities. William B. Fagg suggested that these plaques represent the work of master brass casters. Fagg, William, 1973, 'Nigerian Images', London: Lund Humphries Gunsch, Kathryn, 2018, 'Benin plaques: a 16th century imperial monument', London: Routledge, Taylor and Francis Group ; The Beasley Collection ledger reads: 'Benin:- A Bronze Plaque of a male figure, dressed in a cloth and showing an elaborate method of hair-dressing. The plaque itself punched with a design. 17 1/4 long x 7 1/8 wide.' ; See Collection File: Af1944,04.1-77.
Bibliographic references
bibliography
Gunsch 2018: ~Barley 2010: p.137,fig.96 (right)
Exhibition history
exhibition history
Exhibited: 1965, Oxford, Pitt Rivers Museum, Art from the Guinea Coast 1970-1973, London, Museum of Mankind, Divine Kingship in Africa
Condition
condition
Fair; Missing sections at top left side, along right side and bottom corner. Holes above head with split running around head. Small holes on either side of neck.
Subjects
iconography
palace/mansion
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
Irene Marguerite Beasley
Acquisition name (previous)
provenance
Previous owner/ex-collection: Harry Geoffrey Beasley~Previous owner/ex-collection: Åke Sjögren~Previous owner/ex-collection: William Downing Webster
Acquisition date
accession date
1944
Acquisition notes (excavation)
provenance
This plaque was looted during the British to Benin City in 1897.
Sensitive Content

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